He studied plastic arts and psychopedagogy at the University of Haifa where he found a safe place for experimentation and expression from diversity. Surrounded by women with different cultural and ethnic backgrounds, she produces her first works with a perspective on the feminine. It is received in 2015 with honors with a specialty in painting and engraving and its sample is awarded with the 2nd scholarship of excellence from the faculty. Finishing his Master in Curatorship at the University of Haifa, he decides to return to Tucumán. He participated in numerous group shows in Haifa and Tucumán. His works are part of private collections in Guatemala, Israel, Spain, the United States, Brazil and Argentina.
Jessica Morillo (Tucumán, 1987) is a visual artist, designer, and educator. Her practice focuses on textile art, which she approaches through multiple materials and formats, including installations, urban interventions, contemporary jewelry, and digital pieces. Her work activates textiles as a tool for denunciation, memory, and participation, exploring the personal, the collective, the educational, and the political, with a focus on gender struggles and dissidence. She has participated in solo and group exhibitions in Argentina and abroad and has received several awards in national and regional salons. These include honorable mentions at the National Salon of Visual Arts (Palais de Glace), the La Rioja Regional Salon, and the Timoteo Navarro Salon. In 2025, she was selected for the "Volverse herida" residency at the Kunayan Foundation (coordinated by Ana Gallardo). In 2024, she served on the jury for the CAAT Women's Salon and participated in the Itinerant Curatorships artist program. Morillo builds self-managed training spaces around textiles and jewelry, from where he proposes collaborative practices that make oppressions visible and weave new forms of resistance.
Her artistic practice plays with visual language, exploring the saturation of images she consumes from the media and her immediate surroundings. Through drawing and painting, she constructs a dialogue between materials and concepts, addressing what she defines as "the devastation of images." She also experiments with collage, video, and writing, expanding her expressive universe. She was born in Tucumán, Argentina, in 1991. She holds a degree in Fine Arts with a specialty in Painting from the Faculty of Arts at the National University of Buenos Aires (UNT). She trained in workshops and clinics with artists such as Lucía Sorans, Pablo Sinaí, Antonella Aparicio, Ana Won, Benjamín Felicce, Juan Carlos Romero, and Margarita Vera, among others. She has taught in secondary schools and in neighborhood workshops. She has been part of Galería Fulana since 2020. She has participated in group exhibitions such as The Silence of Things (2023), IV Salón Regional del NOA Recalcatti (2021), This is My Newest and Most Powerful Certainty (2021), and Eregebofilia (2020). Her solo exhibitions include A Song Made of Other Songs (2022), The Remains (2019), and Online, Connection Without Wi-Fi (2014). She has participated in fairs such as Feria Co (2024), NODO (2024), and ArteBa (2021).
An environmental visual artist, she holds a degree in Fine Arts from the National University of Technology (UNT) and a diploma in Cultural Management from the USPT. She currently directs the Casa Etérea art studio in Tafí Viejo. Her practice stems from the collection of found objects in her daily life, combining performance, recycling, and environmental reflection. She defines herself as a collector of moments: what others discard, she transforms into memory, symbol, and protest. Her works evoke two opposing worlds: the natural, ephemeral, and vital world from which she originates and which she defends; and the artificial world, represented by plastic, an inexhaustible material that encapsulates time and contaminates. Her work is influenced by sustainability and a commitment to ecology. The waste from her daily life becomes expressive material that speaks to her history, her environment, and her emotions. Through these pieces, she constructs a personal universe that connects her origins, her love of nature, and a poetic critique of the excess of the artificial. With humor and irony, he transforms the discarded into art, seeking to generate awareness and sensitivity to what remains and contaminates, while rescuing the beauty of the simple, the fragile, and the living.
Adrián Sosa (Monteros, Tucumán, 1994) is a visual artist and holds a degree in Fine Arts from the National University of Tucumán (UNT). He trained at Torcuato Di Tella University and San Pablo-T University, and participated in residencies such as NARA (Colombia, 2022) and the Cité Internationale des Arts (Paris, 2024). He has received awards such as the Braque Prize (2023) and the FNA Regional Prize (2022), as well as recognition at the Tucumán Salons, the Itaú Prize, and the National Salon. His work explores his identity through a rural, precarious, and magical aesthetic, linked to family memory and a longing for the land and water. He lives and works in Monteros.
