He studied plastic arts and psychopedagogy at the University of Haifa where he found a safe place for experimentation and expression from diversity. Surrounded by women with different cultural and ethnic backgrounds, she produces her first works with a perspective on the feminine. It is received in 2015 with honors with a specialty in painting and engraving and its sample is awarded with the 2nd scholarship of excellence from the faculty. Finishing his Master in Curatorship at the University of Haifa, he decides to return to Tucumán. He participated in numerous group shows in Haifa and Tucumán. His works are part of private collections in Guatemala, Israel, Spain, the United States, Brazil and Argentina.
Jessica Morillo (Tucumán, 1987) es artista visual, diseñadora y educadora. Su práctica se centra en el arte textil, que aborda desde múltiples materialidades y formatos como instalaciones, intervenciones urbanas, joyería contemporánea y piezas digitales. Su obra activa lo textil como herramienta de denuncia, memoria y participación, explorando lo personal, lo colectivo, lo educativo y lo político, con foco en las luchas de género y disidencias. Participó en exposiciones individuales y colectivas en Argentina y el exterior, y ha sido reconocida con diversos premios en salones nacionales y regionales. Entre ellos, menciones en el Salón Nacional de Artes Visuales (Palais de Glace), el Salón Regional de La Rioja y el Salón Timoteo Navarro. En 2025 fue seleccionada para la residencia “Volverse herida” de Fundación Kunayan (coord. Ana Gallardo). En 2024 integró el jurado del Salón de la Mujer del CAAT y fue parte del programa de artistas de Curadurías Itinerantes. Morillo construye espacios autogestivos de formación en torno al textil y la joyería, desde donde propone prácticas colaborativas que visibilizan opresiones y tejen nuevas formas de resistencia.
Her artistic practice plays with visual language, exploring the saturation of images she consumes from the media and her immediate surroundings. Through drawing and painting, she constructs a dialogue between materials and concepts, addressing what she defines as "the devastation of images." She also experiments with collage, video, and writing, expanding her expressive universe. She was born in Tucumán, Argentina, in 1991. She holds a degree in Fine Arts with a specialty in Painting from the Faculty of Arts at the National University of Buenos Aires (UNT). She trained in workshops and clinics with artists such as Lucía Sorans, Pablo Sinaí, Antonella Aparicio, Ana Won, Benjamín Felicce, Juan Carlos Romero, and Margarita Vera, among others. She has taught in secondary schools and in neighborhood workshops. She has been part of Galería Fulana since 2020. She has participated in group exhibitions such as The Silence of Things (2023), IV Salón Regional del NOA Recalcatti (2021), This is My Newest and Most Powerful Certainty (2021), and Eregebofilia (2020). Her solo exhibitions include A Song Made of Other Songs (2022), The Remains (2019), and Online, Connection Without Wi-Fi (2014). She has participated in fairs such as Feria Co (2024), NODO (2024), and ArteBa (2021).
An environmental visual artist, she holds a degree in Fine Arts from the National University of Technology (UNT) and a diploma in Cultural Management from the USPT. She currently directs the Casa Etérea art studio in Tafí Viejo. Her practice stems from the collection of found objects in her daily life, combining performance, recycling, and environmental reflection. She defines herself as a collector of moments: what others discard, she transforms into memory, symbol, and protest. Her works evoke two opposing worlds: the natural, ephemeral, and vital world from which she originates and which she defends; and the artificial world, represented by plastic, an inexhaustible material that encapsulates time and contaminates. Her work is influenced by sustainability and a commitment to ecology. The waste from her daily life becomes expressive material that speaks to her history, her environment, and her emotions. Through these pieces, she constructs a personal universe that connects her origins, her love of nature, and a poetic critique of the excess of the artificial. With humor and irony, he transforms the discarded into art, seeking to generate awareness and sensitivity to what remains and contaminates, while rescuing the beauty of the simple, the fragile, and the living.
Adrián Sosa (Monteros, Tucumán, 1994) es artista visual y Licenciado en Artes Plásticas por la UNT. Se formó en la Universidad Torcuato Di Tella, la Universidad San Pablo-T y en residencias como NARA (Colombia, 2022) y la Cité Internationale des Arts (París, 2024). Obtuvo premios como el Braque (2023), el regional del FNA (2022), y reconocimientos en los salones de Tucumán, el Premio Itaú y el Salón Nacional. Su obra explora su identidad a través de una estética rural, precaria y mágica, ligada a la memoria familiar y el anhelo por la tierra y el agua. Vive y trabaja en Monteros.
